There are three types of color corrections that users need to work upon: Hue, Saturation, and Exposure. Now it is time to work on color correction directly. Go to the settings option available on the top right side of the window and then hit the Waveform option. Here users can easily obtain information related to the current video frame, and they can be easily configured as per need. It can be also done by simply pressing Command+7.Īs soon as you make this selection, the video scopes window will automatically appear on the next viewer. For this you need to click on a small icon of light switch available at the top right corner of the viewer and then select Show Video Scopes from drop-down menu. All the color correction effects will start appearing in the effects section available on the video inspector.Īs soon as you start working on Color Board, it is good to open Video Scopes on your system.Choose Window and then click on Go To, you will find Color Board on the appeared drop-down menu.
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On effect browser you can easily access color correction effects inside the color category that is also easier to allocate.It can be simply done by pressing CMD + 6. You can select audio enhancement and color correction options available below the viewer and then hit “Show Color Board”.The Video Board can be opened by using three different ways: Those who wish to use FCP for color signal editing need to follow these steps: Step 1įirst you need to open Color Board on FCP as there is an automatic color correction tool available inside. Methods to Correct Color in Final Cut Pro: This is a well-known video editor tool for Mac users that contains all powerful features and an interactive user interface to facilitate all beginners. The steps below can help all beginners to develop easy video edited projects using Final Cut Pro, but if some of you find this platform a little difficult then it is good to start practicing as a beginner on Wondershare Filmora for Mac. The details below can help you to collect complete information about color correction techniques. No matter what you want to do for the customization of your videos, Final Cut Pro can provide your complete assistance. For creating a specific style or look in order to support your mood for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.Some people need to correct their mistakes on captured videos it can be due to an incorrect balance of white and due to under or over-exposure at some points.The major reasons behind this additional color correction are: I’ll share my thinking as I move through the shot matching process and in the next Insight, we’ll take a look at FCP X’s color match tool and how best to use it.Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. Why? Automated features (in any software) will always fail us, eventuallyīut in this Insight, we’ll explore all the tools available to us. Of course, we’ll tackle how to use the automated Shot Match feature in Final Cut Pro X – but it’s a mistake to solely rely on that tool. In this Insight, we’re going to focus on the built-in toolset of Final Cut Pro X… which is the fundamental rule for this Desert Island Challenge. What tools are available to help us Match Shots in Final Cut Pro X? In colorist parlance, when we match shots together we may be making broad Primary Corrections or much more isolated and targeted Secondary Corrections… or a mix of both.īut as we did in the first three parts of this series we first have to ‘firm up’ the individual shots and fix their overall problems before we can decide what mix of Primary and Secondary tools we need to get our shots to match each other.
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Shot Matching is about both ‘overall fixes’ and ‘targeted fixes’ Once we’ve gone ahead and fixed the ‘big problems’ (bad color temperature, improper exposure, etc) we then have to get our shots to match each other. Remember… Primary Corrections are about fixing overall image problems
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We’ve taken that understanding to help us understand how to attack our Primary Corrections. In this Desert Island Challenge, we’ve taken an in-depth look at the image processing pipeline of Final Cut Pro X. The Desert Island Final Cut Pro X Color Correction Challenge: Part 4 How to Match Shots in Final Cut Pro X: The Tools Tutorials / FCPX Desert Island Challenge / How to Match Shots in Final Cut Pro X Series